We snapped this one up the weekend of its release on DVD.
For us, that’s unusual. Sure it won a bunch of awards, sure it was critically
acclaimed, but was it actually any good?
We gave it a shot.
First and foremost the opening several minutes could easily
be a presentation by the India
tourist bureau. The scenery, the architecture, the wildlife, the rich, vivid
colors were tremendously inviting.
I know a little about India
and the cultures there. You can tell that by the way I used the plural form of
'culture'. India
is a big-ass land mass. It boasts around a BILLION souls. That’s BILLION with a
‘B’. Three of them for every single American resident, legal and illegal. India is a land of wide diversity, rare is the stereotype that accurately spans the entire nation.
In the most recent iteration of my IT career, the last twelve or so years, I’ve had the good fortune to have known and worked with
scores of fine people from India.
Not a random scattering, admittedly, but scores of technically sharp, college
educated and mostly articulate-English-speaking people from India.
I’ve come to know a little about their cultures and their lives and have always
been fascinated and impressed.
Theirs is a rich and ancient story mix of adversity and
fortune, wealth and poverty. Their society is dotted with a wide variety of
gods and demons, stories that predate Christianity by thousands of years. Bizarre
tales that seem to us fantastic tall tales of magic and enchantment, betrayal
and power-lust that make the Greek and Roman gods seem tame and boring in
comparison.
My good friend and co-worker Ramesh once told me about the
elephant-headed god that the little statue on his dashboard represented. “He
clears obstacles.” He said to simplify the epic stories.
I admire Ramesh, he seems to personify many of the ideals
that I wish I could claim. He is a devoted husband, a doting father of a beautiful
little girl, a dutiful son himself, and a cautious, meticulous worker. He is
proud and patient. Whenever he is asked about his culture by any of us simple
Americans he smiles and explains it in a simple and thorough narrative. He
doesn’t take offense at our mistaken understandings, and does not correct us
boastfully or arrogantly. He is a humble and polite man, and quick with a joke.
Not unlike the movie’s main character, Pi.
In the movie, Pi, the adult version telling his life story,
explains to the inquisitive Canadian writer, how he and others can easily be both
Catholic and Hindu. “We get to feel guilt towards hundreds of gods, not just
one.” He says with a winking smile.
I loved the way Hinduism was interlaced into the movie’s
storyline, not proselytizing, rather explaining how the ancient religions that
are Hinduism are a very prominent part of the people, and how understanding a
little about the religion helps one better understand the people.
In evidence, the reluctance and conflict when Pi, stranded
aboard a lifeboat with a Bengal tiger, and early on by
an orangutan, a wounded zebra and a hyena, cannot justify killing any of the
animals, even when faced with starvation or the teeth and claws of the hungry
tiger itself. Upon clubbing a large fish to feed to the emaciated giant cat he
weeps with pain and screams apologies to the fish, at the same time praising
Vishnu for sending the fish to feed the tiger to keep the tiger from eating him.
By this point in the film you get it, you really do.
That’s how good a job the writers and screen adapters did their
job. You actually feel Pi’s pain for having to kill a fish to save his own life.
By now you know the crux of the story, Pi is raised by a
family that runs a zoo. They decide to move to North America,
so they load up all the animals into a Japanese freighter and they all set sail
across the pacific.
Then there’s a terrible storm. So for most of the rest of
the movie we have Pi and the Tiger in a battle of wits in a thirty-person
lifeboat.
What about the other animals I mentioned? Did you not read
the part about there being a hungry Bengal tiger aboard?
Sheesh, this ain’t no Disney cartoon where the lions and lambs sleep and play together.
I was glad to see that the animals, even though they were
almost entirely computer generated, were allowed to portray what they were,
wild animals, not cute, talking, fluffy toys. Pi is made to understand this
very thing by his father earlier in the story.
Without giving away the real twists and ending, I’ll just
say this, the tiger and Pi never, ever kiss and make up or become bosom
buddies. I was glad to see this; take that Gentle Ben, Tarzan, Daktari, Jungle
Jim, and Elsa the cuddly lioness in “Born Free”.
I’ve mentioned that the animals were mostly CGI’d. Which
leads me to the most stunning and pleasing aspects of the movie. The
cinematography.
There were many places in the film that were obviously CGI.
The animals tended to be a bit jerky at some points, their movements not fully
perfected. But what really stood out were the fantasy scenes. As delirium and
reality become harder for Pi to discriminate, we too, through absolutely vivid
and bright, rich, compelling graphics and detail, are often mesmerized by the
unearthly images before us. The brightly glowing jelly fish, the leaping great
whale, the tens of thousands of meerkats on the lush, lime-green floating
island, and more, much, much more. We don’t care whether it is real or
imagined, we just want it to be real, it is real, at least for a moment.
The imagery is not just interwoven into the overall story,
it is integral to the story. For the story itself is epic, fantasy-like and
surreal, not unlike the many small Hindu stories laid out earlier in the film.
The movie is bright, spectacular and in several places quite
funny. Though very dark, almost horrific at the core, Pi smiles, laughs and
jokes often about the agonizing turns of fate. Even devout Christians can enjoy
this movie, and would note the many similar story lines, not only of the boat
full of animals, but also by the Job-like spiraling suffering and the steadfastness and resolve
of Pi’s complex beliefs.
By the end of the film, the word I came up with was ‘Wow!’
I was entertained, thoroughly. I was not preached to, hit
over the head, or tricked into liking the movie. There were no A-list celebrities
at all, no one’s ruggedly handsome mug nor quaffed Hollywood
perfection to steal scenes and attention from the story itself.
The movie makes many points, mostly subtle, but the one I
came away with that stands out above the others is that it is not so important
what the characters in a story are, often they are merely symbols. What is
important are the life lessons learned form the stories, whether the story character
be a tiger, a talking snake, a human living in a fish, an elephant headed god,
these elements merely make the lesson more memorable, something even old Aesop
recognized. You certainly remember those talking, magical animal morality tales
don’t you?
What is important is making the story and the lessons
memorable, and “Life of Pi” certainly masters this.
Highly recommended!
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